Interview: "A singular man" by Susan Chenery (The Australian)

"LAST time we met you may have noticed me looking at you strangely," the email said when Colin Firth went online one morning. "This is why," continued the email, going on to offer him a lead role in a film.


Trouble was, the email was not from any film director of whom Firth had heard. It was from fashion designer Tom Ford. "I didn't know what to think," Firth admits. "Like everybody else I thought, 'Isn't he to do with the fashion business, eyewear and all that sort of thing?' " Firth's scepticism was not unfounded; panic, in fact, might have been an appropriate response....more

Interview: "Dickens’s Victorian London Goes Digital" by Dave Kehr (NY Times)

“A couple of technicians flew out to Shepperton Studios and started to take data on my face and body,” recalled Colin Firth, who plays Scrooge’s nephew Fred in the new film, “which meant standing in my underwear on a platform while something that looked like a laser beam scanned me up and down. I turned around and there was a kind of a gray, clay figure on a screen of me, with all of the shapes and contours. And then they did something similar with my face. They had me do a million different facial expressions while a camera took pictures of me.


“Then a couple of months later I was in Los Angeles having more stuff like this done,” Mr. Firth continued. “You go into rooms with lenses on every surface of every wall. They give you a heavy spandex suit covered in dots that are read by some sort of beam that shines across the room you are in. This room is not called the set, but ‘the volume.’...more

Interview: "The dashing Mr. Firth" by Marianne Gray (Couriermail Australia)

He speaks Italian - his wife is the Italian documentary producer Livia Giuggioli - knows Italy well and has three children of his own.
"You don't consciously try to equate your own life with your work, but there was a familiarity here, with ideas and feelings about fatherhood, that just resonated when we were doing it.


But talking about his private life is not something you'll catch Firth doing willingly.
"The thought of someone wanting to write about me and my life makes my blood run cold," he says. "Even if an article is brilliantly written, it always feels reductive and surely we all resist being defined. "I would prefer it if you exhumed my life after I've gone." More

Interview: Michael Winterbottom on Genova (FILMINK Australia)

The November issue of FILMINK is available from October 16 across Australia,

 online or by emailing dina@filmink.com.au'.

This Interview is published thanks to FILMINK,

 Australia's best movie magazine.